Böse zu sein ist auch ein Beweis von Gefühl
Fury is a Feeling Too
"A sort of cranky, witty, intellectually astute rendition of a Frommer's Guide replete with architectural treats and warnings about the unwieldy temperaments of the natives." (Barbara Kruger, Art Forum)
Cynthia Beatt raises questions and provokes reflection on a range of issues to do with language and culture, politics and history. Her film is a personal and cathartic confrontation with being a foreigner in Berlin, burdened by the weight of its history, during the 1970s and ‘80s. Filmed in the area around Potsdamer Platz, the torn-up area right next to the Wall where post-war buildings grew out of the bomb craters, the film paints the picture of the loss of an architectural text whose destruction also meant the disappearance of a cultural context. Shrapnel-pitted facades alternate with rooms where social altercations about Germans scarred by their history are staged. The somber elegiac music of Maurice Weddington underscores the discordant character of this unsentimental, accusing film.
Source: 71. Internationale Filmfestspiele Berlin (Catalogue)
Credits
Director
Screenplay
Director of photography
Editing
Music
Cast
Production company
Producer
Alle Credits
Director
Assistant director
Screenplay
Director of photography
Set design
Editing
Audio mixing
Casting
Music
Cast
Production company
Commissioned by
Producer
Producer (TV)
Unit production manager
Uraufführung (DE): 18.02.1984, Berlin/West, IFF - Forum
Titles
- Originaltitel (DE) Böse zu sein ist auch ein Beweis von Gefühl
- Titelübersetzung (ENG) Fury is a Feeling too
Versions
Digitalisierte Fassung
Original
Uraufführung (DE): 18.02.1984, Berlin/West, IFF - Forum
Restaurierte und digitalisierte Fassung
Voraufführung (DE): 01.03.2021 - 05.03.2021, IFF Berlin - Industry Event - Forum Expanded, VoD;
Uraufführung (DE): 11.06.2021, Berlin, IFF Summer Special - Forum Expanded, Open Air Kino HKW