Die Tür
The Door
The mystery thriller′s action centers on the formerly successful painter David who has lost control over his life after being responsible for the death of his seven-year-old daughter Leonie through a fatal decision. One day, five years later, he discovers a door which will give him the opportunity to start all over again. However, what initially appears to be a wonderful chance for a new beginning, soon turns out to be a veritable horror scenario, since not everything in the past is quite as it seems.
Source: German Films Service & Marketing GmbH
Credits
Director
Screenplay
Director of photography
Editing
Music
Cast
- Maler David Andernach
- Maja Andernach
- Tochter Leonie Andernach
- Siggi Butschma
- Max Oelze
- Gia Konrads
- Paul Wiegand
- Susanne Wiegand
- Tochter Nele Wiegand
- Edgar Keun
Production company
Producer
Alle Credits
Director
Assistant director
Screenplay
Director of photography
Camera operator
Assistant camera
Steadycam operator
Optical effects
Still photography
Titles / Opticals
Lighting design
Gaffer
Set design
Property master
Make-up artist
Costume design
Costumes
Editing
Dubbing editor
Sound design
Sound
Music recording
Foley artist
Stunt co-ordinator
Stunts
Casting
Music
Cast
- Maler David Andernach
- Maja Andernach
- Tochter Leonie Andernach
- Siggi Butschma
- Max Oelze
- Gia Konrads
- Paul Wiegand
- Susanne Wiegand
- Tochter Nele Wiegand
- Edgar Keun
- Henriette Zahnert
- Nachbarin
- Nachbar
Production company
in co-production with
Producer
Co-Producer
Unit production manager
Production supervisor
Location manager
Production coordinator
Original distributor
Shoot
- 31.03.2008 - 22.05.2008: Berlin [40 Drehtage]
FSK-Prüfung (DE): 24.06.2009, 117814, ab 16 Jahre / feiertagsfrei
Uraufführung (DE): 26.09.2009, Hamburg, Filmfest;
Kinostart (DE): 26.11.2009
Titles
- Originaltitel (DE) Die Tür
Versions
Original
FSK-Prüfung (DE): 24.06.2009, 117814, ab 16 Jahre / feiertagsfrei
Uraufführung (DE): 26.09.2009, Hamburg, Filmfest;
Kinostart (DE): 26.11.2009
Awards
- Preis der deutschen Filmkritik
- Prädikat: besonders wertvoll