Allein in vier Wänden
Alone in Four Walls
"Alone in Four Walls" tells the story of imprisoned children in Russia, between the ages of 11 and 15, who would rather stay behind bars than be released to freedom. 120 children are kept here, they have been sentenced for theft, rape and murder. They receive food and clothes; they go to school and engage in sports. They no longer have to fight for existence every day; for the first time in their young lives they can be what they are – children.
Lyosha, a 13-year-old thief, is the newest inmate. He didn′t manage to say goodbye to his mother. For two years he will not see her, she won′t have the opportunity to visit him. Tolya, a 14-year-old murderer, will be released soon. His village, where he is going back, doesn′t give him a chance: "He should be killed, a kid like that."
Everyone sees in them only criminals, and forgets that they are children. Children who will never have a childhood. 91% of these children will end up back inside. This time in a prison for adults.
German films Service & Marketing GmbH
Credits
Director
Screenplay
Director of photography
Editing
Music
Production company
Producer
Alle Credits
Director
Assistant director
Screenplay
Director of photography
Assistant camera
Editing
Sound design
Sound
Audio mixing
Music
Music performer
Production company
Commissioned by
Producer
Producer (TV)
Unit production manager
Location manager
Current distributor
Shoot
- Tscheljabinsk (Russland)
Titles
- TV-Titel (DE) Mama, mir geht es gut... - Die Gefangenen von Tscheljabinsk
- Originaltitel (CH) Allein in vier Wänden
Versions
Langfassung
- Originaltitel (CH)
- Allein in vier Wänden
FSK-Prüfung (DE): 24.03.2009, 29715 (VV), ab 12 Jahre
Uraufführung (CH): 03.08.2007, Locarno, IFF - Woche der Kritik;
Kinostart (DE): 26.11.2009
TV-Fassung
- TV-Titel (DE)
- Mama, mir geht es gut... - Die Gefangenen von Tscheljabinsk
TV-Erstsendung (DE FR): 03.04.2007, Arte;
Aufführung (DE): 16.01.2008, Saarbrücken, Max-Ophüls-Preis
Awards
- Beste Kamera
- Bester Dokumentarfilm
- Prädikat: Wertvoll
- Jurypreis - Sektion Woche der Kritik